We need your support to finish our film. We’re producing a broadcast length documentary that tells the story of The Blacksmiths’ Tree and what is means to Black Saturday fire affected communities and beyond. Thousands of people helped to bring the Blacksmiths’ Tree into the world. Some of those folks are contributing to our film.
Why do we need financial support?
Pretty much the entire film has been shot. We have around 35-40 hours of footage, countless stills and videos donated by blacksmiths, professional and amateur filmmakers and photographers. We now need to assemble this material into an hour length story. Doing so, and doing so at the highest quality we can muster will ensure Forged from Fire can be seen on both small and big screens everywhere and anywhere. We also want to pay our team of local producers, technicians, composers and musicians who up until now have volunteered their time and expertise.
You can support Forged from Fire by sharing this article, by organising local screenings when we’ve completed our film or by contributing to our fund raising efforts with the Documentary Australia Foundation. Pledge your support here.
Forged from Fire is produced by film-makers, artists, musicians and volunteers from Black Saturday fire affected communities.
We are on the verge of completing production for a full-length documentary, Forged from Fire, based on all the work thus far produced for Our Tree. This final stage of production documents the completion of the site on which The Blacksmiths Tree is location. Specifically the forging of a root system and benches.
Completing the film will require funding to cover our post-production costs. The completed film will be available for theatrical release and on DVD. The plan is to coincide the completion of our film with the publication of a book about The Tree Project.
The exhibiting documentary version of OUR TREE – Forged from Fire premiered at the 2014 Human Rights Arts & Film Festival. The season opened Saturday 10 May at 6pm at the Big Screen, Federation Square, Melbourne.
For more information about our screening events at HRAFF here’s our catalogue entry.
It’s been around three months since I’ve received photos and videos from Our Tree project contributors. At last count 708 individual photos and a handful of videos, mostly from the 30 November 2013 public unveiling of The Tree, have been sent through.
With The Tree being prepared for its life in the open I took the opportunity to shoot some additional interviews and as much detail of The Tree as possible. This I was able to achieve the Our Tree’s Director of Photography, Mike Wilkson. Mike was keen to work with me after seeing The Tree at the Whittlesea Showgrounds. We’ve literally forged a unique collaboration that will see us work together for this and I suspect many other projects to come.
Mike shot some of the loveliest detail you will see of The Tree using both 50mm and 100mm lenses and a Cineslider.
A couple of weeks ago I was grateful to have been given a box of mini-DV tapes, footage shot by local film-maker Warwick Page, covering the around the first two years of The Blacksmith’s Tree in the making.
Ten tapes all up, eight of which could be viewed and digitized. An unusual error prevented me from seeing two of these tapes. In spite of that, there’s 127 gigabytes of video to work with.
There’s video covering the first public events blacksmith’s held in St Andrews, Hilderbrand Road and Eltham. Including the first meetings with engineers and interviews with key personnel and the individuals from Black Saturday fire affected communities.
I’m currently working on an Our Tree 10 minute micro-doc which will comprise one of three video channels for exhibition. With a core team now working with me, including emerging producer Laura Emerick, and colleagues at the City of Whittlesea, Dunmoochin and The Tree Project itself, I’m hoping the micro-doc will be a precursor to a full length documentary covering both the local and international stories that have given life to The Blacksmith’s Tree.
It was a beautiful, touching, memorable day out at the public launch of the completed Blacksmith’s Tree. I spent much of my time filming as unobtrusively as possible, giving people the space they clearly wanted and needed with The Tree.
Many touched the trunk and held out their hands to rub a leaf. Kids searched for the ladybug and caterpiller and others sought out family names from their parent’s shoulders.
Here’s a sample of what I’ve received so far… and with that a very special thank you to everyone who has and will continue to make this project evolve. There’s still plenty of time to send through your photos and videos.
…tells the story of how an Australian and international community of blacksmiths, welders, artists and volunteers responded to the devastating Black Saturday bush-fires by creating perhaps the most ambitious public artwork and memorial in Australia – a three tonne, 9.8 meter tall stainless steel and copper gum tree – The Blacksmiths' Tree.